(Fonte: steezyplease)

Marilyn Monroe photographed by John Vachon at the Banff Springs Hotel  in Canada, 1953

(Fonte: mattybing1025)


George Valdez  Images 1, 3, 4, 6   2012-14

Cindy Sherman  Image 2  1978

Kristen Justesen Image 5  1969

(Fonte: ironmaidenbands)





(Fonte: lisaslocket)


Joachim Seinfeld

Wenn Deutsche lustig sind - Dokufiction (Whe Germans are having fun)

In this series Joachim Seinfeld uses archival material showing scenes from German history. He mounts himself in historical photographs in various disguises staging different people representing different positions in the scenery. Thus our perception is sharpenend and our – sometimes – unquestioned approach to historical visual material is reflected on.

The first picture of this series, Wenn Deutsche lustig sind – Dokufiction: Asch 1938 had been carried out in 2005 for the International Biennial of Contemporary Art in the National Gallery, Prague. It shows the arrival of the German troups in the so called Sudetenland and was presented as a large format image (280×340 cm) on acetate. A  smaller version followed (180×240 cm). All other images so far are printed on baryta paper. The series is still developing and will include the entire German 20th century.


Women’s Noir - A list of films made during the Hollywood studio system that mix the genres of film noir and “women’s pictures” (melodrama) and place a woman who is more than a man’s love interest, girl friday, or femme fatale at the center of the narrative.

Ladies in Retirement (1941, Charles Vidor)
The Seventh Victim (1943, Mark Robson)
Christmas Holiday (1944, Robert Siodmak)
Mildred Pierce (1945, Michael Curtiz)
My Name is Julia Ross (1945, Joseph H. Lewis)
Shock (1946, Alfred L. Werker)
The Spiral Staircase (1946, Robert Siodmak)
Strange Impersonation (1946, Anthony Mann)
It Always Rains on Sunday (1947, Robert Hamer)
Born to Kill (1947, Robert Wise)
The Man I Love (1947, Raoul Walsh)
Possessed (1947, Curtis Bernhardt)
Deep Valley (1947, Jean Negulesco)
Lured (1947, Douglas Sirk)
Sleep, My Love (1948, Douglas Sirk)
Secret Beyond the Door… (1948, Fritz Lang)
Raw Deal (1948, Anthony Mann)
Sorry, Wrong Number (1948, Anatole Litvak)
Caught (1949, Max Ophüls)
The Reckless Moment (1949, Max Ophüls)
Beyond the Forest (1949, King Vidor)
Flamingo Road (1949, Michael Curtiz)
Whirlpool (1949, Otto Preminger)
No Man of Her Own (1950, Mitchell Leisen)
The File on Thelma Jordon (1950, Robert Siodmak)
Born to Be Bad (1950, Nicholas Ray)
Woman on the Run (1950, Norman Foster)
The House on Telegraph Hill (1951, Robert Wise)
Clash by Night (1952, Fritz Lang)
Sudden Fear (1952, David Miller)
The Blue Gardenia (1953, Fritz Lang)
The Bigamist (1953, Ida Lupino)
Dangerous Crossing (1953, Joseph M. Newman)
Private Hell 36 (1954, Don Siegel)
Crime of Passion (1957, Gerd Oswald)


From The Road to Nowhere
Ian Willms


From The Road to Nowhere

Ian Willms